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with Eva-Maria Küpfer, Simone Truong and Cliodhna Hoey
later with Eva-Maria Küpfer and Ixchel Mendoza
assistance by João Fernando Cabral
Tadeusz Kantor’s work and how he problematizes displacement and disappearance are both a point of reference and a source of inspiration. Accordingly to Kantor’s ever-deepening conviction that it is possible to express life in art only through the absence oflife, lifeless objects are called in the composition of the scene. A labyrinth is formed by the moving bodies in contrast with thedismantled mannequins’ body parts.